From the discarded furnishings and neglected findings collected over a period of time, once more, once again engages with the revitalization of found objects activated through an orchestral and unorthodox play of sight and sound. Not every voice comes in flesh and blood. Homed as living entities the collection of sonic and tactile works proposes the audience to challenge how, when, and why we touch and listen to inanimate objects? When do these domestic beings become more than a tool of function?