V Tape
PARTNER OVERVIEW
For over 35 impactful years, V Tape has been a catalyst for diverse voices, curating an extensive collection of independent video art that sparks cultural dialogue and drives social change. Founded in 1982 by its visionary co-founders, Lisa Steele and Kim Tomczak, V Tape has evolved into Canada's largest distributor of video art, documentaries, and installations, and the world's leading distributor of Indigenous film and video. V Tape's enduring commitment to excellence has played a pivotal role in establishing industry standards for exhibition, archiving, and preserving video art.
Summary
The Center for the Study of Black Canadian Diaspora, in collaboration with V Tape, embarks on a profound research expedition, aiming to illuminate the vivid tapestry of black Canadian video artists from 1980 to the present. This heartfelt endeavor seeks to encapsulate the very essence of these artists' creations, their enduring impact on the Canadian arts, and the intricate web of societal and cultural influences that have shaped their profound artistry.
With unwavering dedication, we meticulously comb through the archives of V Tape, unearthing insights that coalesce into a comprehensive report. This in-depth examination navigates the themes and genres most frequently traversed by black Canadian video artists, casting a spotlight on both the well-recognized and the underrepresented contributors to the Canadian video art landscape.
The report also unveils the indispensable role played by V Tape in championing the distribution and dissemination of black video art, underscoring its pivotal role in shaping the vibrant mosaic of the Canadian arts.
In the pages of this report, you will discover a fresh and exhilarating perspective on the evolution of black Canadian video art, a journey that reveals the hidden gems within this dynamic artistic community. As we traverse its findings, we encounter invaluable recommendations for the continued promotion and preservation of this art form.
This research project beckons us to embrace a call to action, inspiring us all to partake in the celebration of the diversity and opulence that thrives within our Canadian arts landscape. Together, we continue to champion these voices that enrich our cultural tapestry.
-
01
Introduction
Land Acknowledgment V Tape Feature
Dr. Fatona Feature CSBCD Feature
Aisha Simpson Feature Terms of Reference Executive Summary
02
Research
Framework
Research Paradigm Research Pedagogy Research Epistemology Research Methods
03
Phase 1: Scope
Timelines
Critical Writings Exhibition Catalogues Milestones Environmental Scan
04
Phase 2 : Framing
Insights
Black Diaspora
Data Analytics Thematic Analysis
05
Conclusion
Next Steps
Thematic Coding User Experience Design Prototyping Recommendations
06
Appendix
Bibliography